These four plates are on exhibition at the Institute Library's Nasty Woman Art Exhibition. I'm so proud of how they turned out! This is before the gold detail because of course, they went straight from the kiln to the show. Once the show is over I'll be sure to photograph them properly!

The idea behind the series is lesser known women of color who have shaped history, one way or another. I think the least known out of this group is Mary Kenner; she invented sanitary pads amongst other awesome and useful things. This is a series I definitely want to continue beyond this exhibition. Who else should I honor with a portrait on a plate?

I Know it's cheesy to set goals in the new year, but I can't help it! I love the symbolic closure of one chapter and the the beginning of a new one, even if time is a manmade construct and yadda yadda yadda. Despite what the internet says, the new year is a great time to set goals, especially for small businesses. It is my hope that by sharing them with you, these goals may have some sort of concrete presence and I might acheive them with your help! So here they are:

1. Illustrate and self publish a coloring book
For those of you on my newsletter, you already know that I love to send out coloring sheets. It's a fun way for me to say thanks and share a bit of what I love to do. This year I want to take it a step further and put some of the illustrations I do on my pottery and collect them all into one nifty coloring book!

2. Open a web shop on this here site.
It's a lofty goal, but it's at least worth looking into! For now I'll keep chugging along with my etsy shop. Who knows, maybe I'll venture into etsy wholesale and expand my stockist list.

​3. Expand my product line 
I know I've been making lots of cups, mugs, and small trinket dishes, but be on the look out for plates and sets! I'm so excited to start working on them with my GR pottery forms.
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Hopefully 2017 is a funfilled, happy, and successful year for us all!

This is a question I was asked while talking amongst fellow artists at a meeting for organizing a CT Nasty Women Exhibition.

I wasnt sure sure how to answer it at the time, but I thought it was a fantastic question.

After pondering the the question for a few days, I realized the moment that being an "artist" felt most concrete for me. It was when I was applying for my passport in 2015 and they asked for an occupation. I remember my heart fluttering when I wrote "artist" and the immedediate self doubt that came rushing afterwards, realizing I wrote it in pen. Art is such an odd profession in this regard--where we question our validity.

When I was in school it was easy to say I'm an art major. It was a crutch, like dipping my toe without fully committing to the title of "artist," and the possible (and entirely made up in my head) backlash from the public telling me otherwise. As if there's an authoritative crowd out there to tell me I'm not an artist....why do I and so many of my peers feel like that's a thing?

Notice I didn't say the title felt real after graduating with my art degree. It's probably because art school doesn't actually prepare you to be an artist, but rather teaches you how to talk about it, why it matters, and how to technically do it (some art schools don't even do that). Still, it doesn't teach you how to BE it. I think only you can do that.

So to all my artist peers out there, its as easy as taking a deep breath and saying:
"I'm an artist."

And when you meet new people and they ask what do you do, say "I'm an artist." I promise it gets easier the more you do it. You might feel the need to follow up that statement with validations like mentioning your latest exhibit, but fear not! It's not required. Most people respond, "Oh, that's really cool!"

And it is. We're cool people y'all. So here's to being artists, in all our anxiety-filled glory!

I've returned to my most favorite way of working with clay:

coils.

It's a slow, methodical process. I shied away from it because there's only but so fast you can go. However, with the challenge of making pots sans wheel, I found it fitting into my aesthetic now more than ever.

I'm so happy with how this big guy turned out! I left some of the coil texture on the outside and added some slothy goodness to the bottom for a sweet surprise. I've got two more bowls to glaze fire; one with a dancing sloth and one with a kitty cat. They take up quite a bit of real estate in the tiny kiln, so they're all taking turns.

Cant wait to see those glazed!

I've decided to start offering made to order mugs! I've found my groove in the studio since the move back in May, which means I can start rolling out some new ideas!

This candy corn party mug is the first, super fitting for the upcoming season. It'll only be available for the month of september so act fast if this is your jam :)

I'll be adding a few other made to order mugs to the etsy shop soon. What would you like to see?

I have been using porcelain all year, and it took a while to realize I wanted a darker clay body. Thats when i found a recipe for chocolate porcelain while i was at school. It was great while it lasted, but I've officially finished up the last of it! Since it's not a clay that's readily available by my suppliers, I decided to give earthenware a go.

And I love it!

It's warmer, cozier, and definitely more my vibe. I'm surprised it took me so long to try it out! Now that I know my love for red clay is real, I'll be trying a few different ones available to me. What's really cool is most of the red clays around here are locally sourced.

Here's to red clay adventures!

When I'm putzing around the studio and don't know what to draw on a pot, I let my mind wander. I lay out all my colors and play with patterns. I try different ways of mark making, with different tools. 

I've always loved clouds, so naturally rainbows come next. I might sit on this idea for a bit! What would you like to see drawn on a pot?

The last month of the postbac was dedicated to exploration and my professor was adamant about hand building my forms to match my aesthetic. During that month I gave it a go but hated the outcome. I think It was because I was working in white clay and only tried a half a dozen forms. BUT now that I'm working my way through all of my left over clay so I can get to what I REALLY want, I tried slabs again. And I kinda love it.

Something about working in a richer, warmer, darker clay body has me swooning over these wabi sabi playful pots. I tried slabs for a few reasons besides the looks. I don't currently own a wheel, the studio doesn't have heating (and who knows how long I'll have access to it....just saying), nor a sink, and sometimes I don't really like throwing *gasp*.

But with hand building everything, I'm not dependent on a wheel or a location that can tolerate it. I can make where ever I can take my rolling pin! Also, I really reeeaally missed hand building. That's how I made all of my sculptures! So, here's to slabs :D

So My time at UMass Dartmouth has come to and end and a new chapter has begun! This will be where I work for the foreseeable future. My friends Miguel Benitez and Ninh Truong are also working out of this lovely garage set up, all thanks to Miguel and his mom! It has taken a little getting used to, but It's great to be sharing a studio with my clay mates from undergrad once again :)

I had a blast! I really enjoyed Old Wethersfield--it's so picturesque. I was nervous about setting up the tent, but a few vendors graciously lent a hand, setting the tone for a lovely festival. I'm looking forward to adding to my set up!